Alison Overton
 
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Alison Overton



About the Artist

A native of North Carolina and life-long artist Alison Overton has been photographing since 1980. She earned a BA in Environmental Design in 1982 from North Carolina State University's School of Design. In 2008 Alison studied photography with internationally renowned photographer James Henkel at Penland School of Crafts, and in 2009 with photographer and instructor Alyssa Salomon.

Alison was awarded Regional Artists Project Grants for 2002, 2004, and 2008 from the North Carolina Arts Council. In 2009 she was granted the Sarah Everett Toy Memorial Award, a full scholarship to study photography at Penland.

Her work has been exhibited in galleries and/or universities in the following states: California, Colorado, Illinois, Indiana, Maryland, Massachusetts, New York, Pennsylvania, North Carolina, South Carolina, Texas, Virginia, and West Virginia.

Collections include: North Carolina University's Gregg Museum of Art and Design, Louisburg College Permanent Gallery Collection, Credit Suisse First Boston Headquarters, Saks Fifth Avenue, SAS Institute, and the City of Raleigh Arts Commission.

Alison lives and works in Raleigh, North Carolina.

About the Work
Making art, in particular photographs that chronicle a moment in a changing landscape, is my passion. As a lifelong artist, I strive constantly to explore and expand my definition of the unique and mysterious in life and nature. I love to utilize simple, manual film cameras such as the Holga and the Widelux to capture images that have an ethereal and timeless quality. My hope is, that when a person views my art work, he or she might feel as if they could trade places with Alice of "Alice Through the Looking Glass" - peering into a dreamy world, with a sense of awe and child-like wonder.

One of the recurring themes in my work is the architectural landscape with a sense of history. My intent in making these photographs is to visually convey the feeling of walking alone among majestic sites, both secular and sacred: abbeys, castles, churches, cemeteries, formal and informal gardens. By combining overlapping exposures, careful cropping and overpainting with transparent oil paints, the finished works reveal my idea of these places as they might appear in a daydream or on another plane of existence, and as if our rules of time, space and perspective did not apply.


Resume PDF
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